Kathy Abromeit, Music Reference Librarian
kathleen.abromeit@oberlin.edu
or 440/775-5131
News from the Oberlin Conservatory Library
In May 1911, when Gustav Mahler was on his deathbed, he told his wife Alma that he wanted her to burn the manuscript of the Tenth Symphony. Alma did not destroy the manuscript, but instead kept the sketches under lock and key until 1924. At that point, apparently in financial trouble, she agreed to publish the manuscript in facsimile. The work has since been completed by a variety of composers, including Ernst Krenek, Alma's son-in-law, who created a performance edition of the first and third movements. The mystery, confusion, and controversy around the Tenth Symphony remain.

This documentary presentation by Bernard Millant and Jean Francois Raffin, with assistance from Bernard Gaudfroy and Loic Le Canu, provides intricate detail on the design and history of bow- making in France from 1750 to 1950. The work features biographies of 116 bow-makers illustrated with richly detailed photographs of all elements that play a part in the making of the bows for stringed instruments. Correspondence and other records help describe their methods.
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