“A building should broadcast its purpose to the world,” says Paul Westlake, who leads the architectural team designing the Phyllis Litoff Building, a new home for jazz studies at Oberlin.
With that in mind, Oberlin’s charge to his architectural firm, Westlake Reed Leskosky, was ambitious: craft a building to house jazz studies and the Conservatory’s academic programs in music history and music theory, a world-class recording studio, and the largest privately held jazz recording collection in the United States; read more of this article
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