A new production about Anna Nicole Smith and the arrival of 3D broadcasts aim to widen the appeal of an art form that is perceived as elitist.
More nonsense is talked about opera than any other single art form. It may be the nature of the form itself, all hysterics and extremes of passion. It may be that it remains a minority form, which is supposed to be refined and melodic. But the temptation to blow up its antics and its subjects into dramas themselves seems irresistible.
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